What artist Paul McCarthy has drawn and learned from Instagram in the pandemic

Paul McCarthy outside his Altadena home late in May. <span class="copyright">(Dania Maxwell / Los Angeles Times)</span>
Paul McCarthy outside his Altadena home late in May. (Dania Maxwell / Los Angeles Times)

For half a century, artist Paul McCarthy has made work inspired by a most abject muse: the toxic male ego at its most infantile and belligerent. Sailors, pirates, cowboys, U.S. presidents from Reagan to Trump, even Walt Disney, that authoritarian inventor of antiseptic fairy tales, have materialized in various guises in his fornicating sculptures and gross-out films.

Yes, the Los Angeles artist knows how to generate a headline, such as the time in 2014 that his sculpture “Tree,” an 80-foot inflatable resembling a luminous green

Read More

From Insurance To Testing, Crowd Scenes & Craft Services, Here Are The Pandemic Problems Studios Are Trying To Solve Before The Re-Start

Click here to read the full article.

Editor’s Note: As Deadline continues its Coping With COVID-19 Crisis series on the struggles of people in the entertainment industry impacted by the coronavirus-related shutdowns and layoffs, today we launch a new series, Reopening Hollywood, focused on the incredibly complicated effort to get the industry back on its feet while ensuring the safety of everyone involved. We intend to examine numerous sides of the business; if you have suggestions about things to consider, please leave a comment.

On Tuesday, Gov. Gavin Newsom unveiled a six-point guide to how California will

Read More